I didn’t come to photography the usual way. I started in fashion, creating images meant to be seen fast and forgotten faster. But over time, I was drawn to something quieter: the space between gestures, the light that falls when no one’s performing. Love, not as performance, but as presence. That’s what gives a story weight, what it holds when no one’s watching.

I’ve always found myself more drawn to what was happening on the sidelines — the quiet before the show, the vulnerability between takes, the light catching on someone’s skin when they thought no one was watching. I didn’t just want to be part of the image; I wanted to tell the real story behind it.

Photography gave me a different kind of authorship, the kind that reveals. What matters now isn’t how perfect something looks, but how true it feels. I didn’t leave fashion because I stopped loving beauty. I left because I wanted to go deeper, and that depth is what I bring to every couple I work with.
If you’re here, you probably want more than pretty pictures. My job is to frame not just how you looked, but how it felt. That’s what stays.